Friday, July 10, 2009

No Need To Wonder

All this talk of Michael Jackson and his importance in the world of music may have given some the impression that he is the greatest artist that ever lived.

Not so folks.

As talented as he was, the greatest artist in music history is not he. That honour belongs to one man only. The gentleman originally known as the boy wonder, and now recognized the world over by just one name:

Stevie!

That's right. Stevie Wonder is the most outrageously talented musician of the last century, with no exception. The trouble is that people say this for different reasons and I would like to set the record straight.

For years, Stevie wrote songs that made us move, that told us stories, that made us feel, and he did it with a voice that was not overly perfect, but as sublimely real as anyone ever.

However, it seems that fellow artists, musicians and true music enthusiasts have delved further into his repertoire than the average Person.

I only say this because everytime the topic of Stevie Wonder comes up in conversation, some young white woman pulls an "I Just Called to say I Love you" out of their butt! Hey, I'm not saying you can't LIKE the song! Heck, if I had written it, I'd still be talking about it. But to define the man, his music, or career by that song, is a back-handed bitch-slap to him, and every artist he has influenced, and that is one looong list.

Of course, nobody's worried about Stevie getting his due. He gets plenty, but it should not have anything to do with the condition of his eyesight, or the fact that a couple of his catchiest tunes have been so commercialized.

This is not a tribute to Stevie Wonder per se. It is a plea to music lovers who have not explored his music, to do themselves a favour and listen to at least a portion of a staggering body of work while he is still alive.

You've heard every Michael Jackson song ever recorded, over the last two weeks, and Ray Charles exploded posthumously due to a hit movie and a 'Duets' album, but Stevie will leave a larger footprint than Ray, Michael and Elvis put together!

From a young age, Stevie was recognized by the greatest minds in music, and given more freedom than most artists. His thirst for every facet of sound brought him greater strength with each endeavour, and by age 15, he had written and recorded countless hits on which he played various instruments including, Keyboard, drums, Harmonica, Bass, and every percussive instrument known to man, and even discovered a few new ones. He also sang not only lead vocals, but his own back-up vocals as well, sometimes performing each part of a five part harmony all by himself. A good example is the song They Won't Go When I Go which was later covered by George Michael (Remember him?)

Sometimes he would even synthesize his own voice to mesh with his own, creating the illusion of a duet like on You Are The Sunshine Of My Life (Oh, you thought that was a woman?)or Ordinary Pain where he sounds like a little boy.

In addition to many of those unique gifts, so raw and sincere were his lyrics that he would humble even the greatest musicians.

One example is Eric Clapton in the mid '70s while riding a huge wave of admiration among rock fans who proclaimed freely that "Eric Clapton is God!" He once told Rolling Stone Magazine that when he felt his ego getting out of control, he would put on a Stevie record, and come right back down.

For 30 years, Stevie prolifically produced more timeless classics than anyone. Songs that hold up in all situations, and all times.

If you've ever wondered (no pun intended) why Stevie has that perpetual bump on his head, it is because in 1973, a log fell from a truck, went through the windshield of his car (no, he wasn't driving.) and hit him right in the head. He ended up in a coma for four days and lost most of his sense of smell, and also left him temporarily without a sense of taste, a particularly tough pill to swallow for someone already born without sight.

After returning to much fanfare in 1974, Stevie set out to begin his biggest project. An album that would take 2 years and a couple of million dollars to complete (a huge sum at the time).

This album would cause Berry Gordy so much grief that he had almost begun to lose faith in his most solid commodity.

Almost.

Stevie's double album, which also included an additional extended play 45, finally went on sale in September 1976.

Songs In The Key of Life became the first American album to hit #1 on its first day.

There it remained for 14 non-consecutive weeks. To this day, the album ranks 56th on Rolling Stone Magazine's 500 Greatest Albums of All Time, behind his own Innervisions at #23. In my estimation, 'Songs' is still grossly under-ranked.

Those two albums, in conjunction with Fulfillingness First Finale are referred to as Mr. Wonder's "classic period". Rolling Stone Magazine said, of this period, that Stevie "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade".

In 2005, music mogul Kanye West said, "I'm not trying to compete with what's out there now. I'm really trying to compete with Innervisions and Songs in the Key of Life. It sounds musically blasphemous to say something like that, but why not set that as your bar?"

Why not indeed!

If you fancy yourself a music lover, and have never explored any of these classic albums, consider yourself informed.

Non-commercial songs like Love's In Need of Love, Too Shy To Say, You Haven't Done Nothing, Lately, and All Is Fair In Love have been covered by artists such as Jodeci, Marc Anthony, Stevie Ray Vaughan and Mary J. Blige.

His music is consistently sampled by rappers like 50 Cent in the song "Ryder Music". Warren G sampled "Village Ghetto Land" for his song "Ghetto Village." "Pastime Paradise" was re-worked only slightly for Coolio's "Gangsta's Paradise" while Will Smith used "I Wish" as the basis for the theme song to his movie, Wild Wild West. In 1999, Salome De Bahia made a Brazilian version of "Another Star". Tupac Shakur sampled "That Girl" for his hit song "So Many Tears" and Red Hot Chili Peppers covered "Higher Ground" in 1989 on their "Mother's Milk" album.

Many more songs by Stevie Wonder have also been sampled or re-made. Wonder is one of the most sampled artists/singers ever.

So if Stevie inspires the artists you listen to in order to create the songs you love, shouldn't you give the original a chance?

It's high time for the youth of the world to hear the real deal.

Often imitated, but never duplicated......the one and only,

Stevie Wonder.

Tuesday, July 7, 2009

Who's the King?


Michael Jackson's death has given the media's greatest vultures a whole new meal plan. The frenzy that will ensue over the next year is going to make Princess Di's death look like my mother's uncle Sam's (Sadly, uncle Sam went out without much fanfare).

I, for one, am neither interested nor impressed by any of these posthumous scandals; the discovery of countless "Last" Wills and Testaments, the genetic evidence of Patrimony, or unsolved allegations of impropriety, but much like the show Fear Factor, when a grown man eats the freshly removed testicles of a Donkey, it is difficult to ignore.

So brace yourselves people, for a barrage of "tell-all" books, feature articles, made-for-TV movies, made-for-movie movies, and countless bits of gossip, hearsay and urban myth whose subject is no longer available for rebuttal.

It has begun already, and may never end.

Today is Michael Jackson's memorial and if his life story hasn't been pimped enough, you've got the celebrity line-up of the century performing at what is essentially his wake. We've got screaming fans fighting each other tooth and nail for the opportunity to "honour" the artist that sang of peace, love, togetherness, and gettin' on down wit'cho bad self!

Far be it from me to rise above the madness and speak purely of the artist's work, but I saw a news clip of an older gentlemen, whom I will kindly refer to as "L'homme avec le cou rouge" so as not to offend anyone. He, for some reason, felt the need to point out that this was not as big a loss as Elvis! Now, granted, I was a child when Elvis died and while his body of work speaks for itself in the grand scheme of things, I must confront this as a lover of music and pop culture, and firmly ask, "Are you out of your *#$%@*&# mind?????".

I know there is no need to drag one artist down, to demonstrate the greatness of another, but Monsieur "Cou Rouge" started it, and I must finish.

Hear me now, and please forgive me for this mom, but there is absolutely, positively, undoubtedly, and unquestionably no comparison in the world of music that could ever put Elvis in the ring with Michael Jackson!!!

Elvis was the greatest celebrity of his time, but he was neither the greatest singer, nor songwriter, actor, dancer, musician of his time or any other. He was the pioneer of the crossover, and may have had more actual hits than anyone, and the impact of his death may have been just as great at the time, but as an artist, he cannot be compared to Michael Jackson in any way whatsoever!

Now, I know I have opened the floodgates, so yell and curse at me if you will, but should you doubt the sheer talent and genius of the King of Pop, I encourage you to go ahead and listen to Who's Loving You, a song recorded at the tender age of 10. A blues-y, gospel-y vocal strut that has to have been developed in the womb. His groundbreaking rhythm at a ridiculously young age, both with dance moves and pure vocal funkiness is second-to-none. Listen to Dancing Machine, which the Jacksons recorded when Michael was in his early teens, or I'll Be There when he was 11.

His voice alone would generate excitement in any collaboration. Take, for example Rockwell's one-hit wonder, Somebody's Watching Me. His is the defining line in the song, and it was enough to make it a top 10 hit. The same goes for any of Michael's duets with Mick Jagger (State of Shock) or Paul McCartney (Girl Is Mine, Say Say Say). Even Michael's part in the Wiz's Ease on Down The Road alongside Diana Ross and Nipsy Russell (for those looking to name for their newborn).

Michael stood his ground and over-shadowed the best with a great work ethic and an outstanding natural talent. He repeatedly created things that changed the direction of popular music, video, dance and show business as a whole, whereas Elvis had an awesome voice and a little bit of soul at a time when white dudes just didn't. A wonderful singer, Mr. Presley was, but please don't make me have to come down to Memphis to have this conversation, because I would very much like to not be shot.

So I say, "Let there be 2 kings! The King of Rock, and the King of Pop."

Both started as human beings and ended as legendary icons that the world will never forget....or leave in peace.